วันจันทร์ที่ 12 เมษายน พ.ศ. 2553

Shading with cosmetics, Part II

In the first part of this series we use the bases for the purchase of the notes right shading his face. In this segment we will discuss best practices for implementation.

Depending on the make-up, you should start is the average color or darker color. Experiment with both. The important thing to remember is that the darker option of withdrawal is used. First, it is where the hair meets the forehead under the chin and neck down a bit '(Representation, when a natural shade to be created.) Jump on the bottom jaw to soften the edge. For many people, shading under the cheekbones is another important step.

Subsequently, the shadow of the temples of eye and extend along the fold. Finally, it should cover the sides of the nose below the top. Many people prefer this shade too thin advantage from their nose a bit '.

When it comes stress, is basically the area in the middle ofFace, which must be placed on the road. The highlight color should be at the center of the forehead and mixed to be applied. In the middle of the nose is another key area. Less critical is the area at the tip of the upper lip. The chin should also have a little 'out where the light, of course, would take from the top and front.

Highlights on the forehead, just below the eyebrows, opening the face. Lighten just above the cheekbone by definition no longer there. Thelighter color should be expanded from there to the summit above the mouth in a soft triangular shape of justice.

How much of what and where the use is whether a person can change to reduce the long nose, hide a double chin, cheekbones to add definition, or a series of small changes. The important thing to remember, so naturally soft and subtle as to look.

Also, if you add the images with the planning, you should extend theMake-up in the neck, as is visible from cover your upper body. Make-up can affect the reflection of a person's face before the camera. If your neck and shoulders do not match, it sounds as if your face is unnaturally inserted into images.

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